bess.txt http://www.nightnews.net/fringe2008.htm#bess The Highwayman - The Curious Room venue :: C cubed see links :: http://www.thecuriousroom.com http://www.kidsco.org.uk category :: Theatre Reviewed date :: 25 08 08 Review: The Curious Room production company did a remarkable job in commissioning and presenting this new play around the old narrative poem, 'The Highwayman' by Alfred Noyes. The writing by Bahar Brunton fully complements the original poem, known for its imagery and cadence. The narrative of the play dramatises and lends a credible interpretation to the action, characters and their motivations which remain mostly implicit in the poem. The Curious Room succeed in paying tribute to the rhythm and brooding nature of the story as well as giving us a compelling tale of love, jealousy, betrayal and sacrifice in their play. Presented in the minimalist surroundings of a former Masonic temple in Brodies Close, the excellent cast led by show producer Kate Sawyer, in the role of Bess, gives us an emotional roller coaster ride that is completely gripping right to the tragic ending. It is not necessary to be familiar with the poem in order to appreciate the narrative or action of the play. The company do very helpfully include a copy of the poem in their programme for those that may be interested. Bahar Bruntons version creates a plausible tragic triangle between Bess, The Ostler and the Highwayman. The writing does a great job of building up sympathy for the central characters in the first half so that the bloody, tragic ending when it comes, leaves nobody in the theatre unmoved. There is good use of music in the play and some use of film projection between scenes, presumably meant to underline and heighten the emotional aspects of the action. The film shorts though were blurry and of poor quality, so this aspect of the staging did not seem to work as well as the musical accompaniment. The resentful ostler pines for Bess, the innocent friend of his youth. Bess herself longs for the Highwayman and wishes to escape her fathers Inn. Though the Highwayman is less fleshed out as a character he remains central to the action and his love for Bess is rendered eerily eternal at the climax of this production. This last complements the dark and elemental nature of both the poem and the staging of the play. By the time Bess and her Highwayman are betrayed by the ostler and consigned to eternity, the audience have been completely captivated by the narrative behind this engaging couple. Their epitaph is this dark, gripping, emotional story of a forbidden and tragic love. 4 gold bats by John C Vassallo